Tuesday, June 21, 2005

Ming at the Freer

Pre-20th century Eastern art is tough for me to appreciate, because there is such a difference in both time and culture. The Freer provides a good venue, however, in part because it is not overwhelming. There are a limited number of galleries, and none of the galleries are overcrowded. I only recently learned that this was Freer's plan, and that his will or trust setting up the musuem put strict limitations on what the museum could own, and what it could show.

The current Ming Dynasty exhibit at the Freer (it ends June 26) is extremely approachable, as it is all contained in one (large) gallery, and is laid out very spaciously. The historical information is hard to absorb (other than the Ming dynasty lasted for several hundred years, and therefore went through different phases under different rulers), but the selection of artistic works is impressive.

One point that is made is that, although the Ming dynasty is known now mostly for the blue and white ceramics, that this is not what was valued most during their rulership. Nevertheless, the ceramic bowls, plates, jars, and other vessels are very appealing. Most are in blue and white (that is what is available from the Freer collection), but some in other colors. There was also some cloisonne, and some lacquered and carved boxes, which were particularly prized. Other than these pieces, the exhibit focused on hangings of dragons, phoenixes and court scenes, all of which were very attractive. It was a relaxed exhibit.

Sorry you did not see it.

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